#1, 16mm frame with 18mm, 55mm, 80mm (real) and 135mm (simulated) framelinesįor people interested in how would 135mm field of view look like, too (as to be found in XF 18-135mm zoom lens, for example), there are (white) 135mm framelines added as well, but those are simulated (in contrast to the yellow ones, being obtained from real photos taken at appropriate focal lengths). EXT4 is commonly used for a home since it is a standard file system that works well with virtually everything. On the contrary, XFS fits perfectly when it comes to large files of up to 30+ GB as it facilitates safe un-mounting of the USB.
YAMAHA MOTIF XF XS ES 6 7 8 white SYNTHESIZER refrigerator magnet. Rhodes Stage Piano 73 MK1 & MK2 73: 73 Key 75. Each company produced several models of these pianos and there are many differences that can be identified, but we will list a few of the key features found on popular models.
#Difference between xf and xs motif series#
XF 18-55mm also has Capture One`s own lens correction profile, being a bit different than "Manufacturer Profile" (also cropping a bit more, especially at the wide end), but as there is no such support for XF 16-80mm yet, that comparison is currently omitted. EXT4 is great for servers that primarily use many files of small sizes. Packaging should be the same as what is found in a retail store, unless the item is. Corea even sampled his very own Rhodes Mark V for the Yamaha Motif XF series workstation. Following on a previous thread of mine, where I was comparing simulated field of view of Fuji`s two "kit" zooms - namely XF 18-55mm and XF 16-80mm, contemplating whether I should get the latter as I already had the former - here`s a real, shootout comparison between the two this time (you guessed, I did get XF 16-80mm in the meantime).Īll images shot on a tripod, aperture at f/8, not in the best lighting (a bit harsh sunlight), but sufficient for the purpose.įor starters, here`s a comparison to show the focal length field of view differences between 16 - 18 - 55 - 80 mm, to be followed by full-size straight-out-of-camera (SOOC) JPEGs and Capture One (C1) exported RAWs - both with "Manufacturer Profile" lens corrections, but no corrections as well, seeing how that influences corner/edge sharpness. Features multi-dynamic samples of a C7 grand piano, true damper resonance, release resonance, and adjustable hammer noises.
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