News Another World is over 20 years old (23 to be precise), and is one of the earliest examples of cinematic gaming, blending platforming, shooting and puzzling with a level of storytelling and characterisation few games had even started to approach at the time.
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The cinematic classic, Another World, is returning, arriving on the PS4 next week. The intro of the game saw our protagonist Lester Knight Chaykin, a young and talented physicist, drive up to his lab in his sports car on a stormy night and begin work on a new particle accelerator. A new announcement trailer and a developer video can be seen below starring Eric Chahi… When developing Another World Eric Chahi created an amazing story and an adventure that saw millions completely captivated by. Another World, also known as Out of This World in North America and Outer World in Japan, captivated a multitude of gamers around the world and inspired a generation of developers and in April it will be coming to the Nintendo Switch thanks to Dotemu and the original creator Eric Chahi. If you remember this iconic scene then you will have been fortunate enough to experience one of the most classic games in gaming history. The graphics areĬlassic gem of gaming Another World set to arrive on Nintendo Switch in April Suddenly, you really are in another world, and the presentation is out of this world. At this point there is a classic transition: you the player aren’t aware that the game has begun and that you are in control. As he powers up an experimental device, lightning strikes the facility, opening a portal that whisks him away to a different planet, possibly a different dimension. A wonderful introduction sequence conjures a rich atmosphere from the very start.
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With Another World, in the hands of auteur programmer Eric Chahi, they took their visual talents and movie narrative impulses to alien climes.
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If you'd like to give it a try, all of the R code is included in Charlie's blog post, linked below.In 1991, Delphine Software was an obscure French developer, known at that point for the ravishing but deeply flawed point ‘n’ click adventure Future Wars and the spy-‘em-up Operation Stealth. You'd need to so away with scaling the Gloom Index from 1 to 100 as Charlie has done here, but the formula could easily be adapted to make a universal score. It would be interesting to compare the “Gloom Index” for Radiohead with that for other famously downbeat artists (say, Bon Iver or Low). (I'm guessing Charlie adds 1 to the lyrical density to get the two terms to about the same scale, so that both have about equal weight.) Roughly, this is the average of the valence score and (almost) the number of sad words per second. The three quantities are combined together to create the “gloom index” as follows:
The third quantity is the “lyrical density” ( following a method described by Myles Harrison): the number of words per second, easily calculated from the Spotify track length data and the word counts calculated in the prior step. The second quantity is the percentage of words in the lyrics that that are “sad”. Charlie scraped the song lyrics from Genius using the rvest package, and then used the tidytext package to break the lyrics into words, eliminate common “stop words” like 'the' and 'a', and count the number with negative sentiment. This is useful in its own right, but several songs have the same valence score, so Charlie also looks at song lyrics to further differentiate them. Charlie extracted the list of Radiohead's 101 singles and the valence score for each from the Spotify developer API, using the httr package for R. Valence scores range from 0 (songs that sound depressed or angry) to 1 (songs that are happy or euphoric). The first quantity is Spotify's “ valence score“, which Spotify describes as a “quantity describing the musical positiveness of a track”. The “Gloom Index” charted above is a combination of three quantities, and then scaled from 1 (Radiohead's gloomiest song, True Love Waits), to 100 (the cheeriest, 15 Step). Their most recent album “A Moon Shaped Pool” is a fantastic listen, but it isn't exactly going to get the party started. Radiohead's debut, “Honey Pablo” was fairly poppy musically, but contained some pretty dark lyrics (especially in the break-out hit, Creep). If you're familiar with the albums, this looks pretty reasonable.
Radiohead is known for having some fairly maudlin songs, but of all of their tracks, which is the most depressing? Data scientist and R enthusiast Charlie Thompson ranked all of their tracks according to a “gloom index”, and created the following chart of gloominess for each of the band's nine studio albums. (Click for the interactive version, crated with with highcharter package for R, which allows you to explore individual tracks.)
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